Tweeting for a Better Tomorrow

By Chad Bilyeu*

As a self-proclaimed “social media strategist” I have found that the one social media tool that baffles people the most is definitely Twitter. “What is Twitter? It’s just the status update from Facebook, right?” While that is probably the most simplistic manner of giving some sort of definition to the amorphous service that is Twitter, the most honest answer would be, “Whatever you want it to be.” This is probably a very disappointing answer that will leave many ambiguous, but herein lies the beauty of Twitter.

There is a rather popular saying in the United States, “preaching to the choir,” which refers to the action of telling people what they already know. To a great degree, Facebook is limited in its scope to this cliche. While Facebook is indeed the most popular of all the social media channels, most Facebook timelines are comprised of information procured from individuals or entities that the subscriber is already privy to.

Twitter, on the other hand, allows more freedom in examining and subscribing to timelines. A person doesn’t even need to be a registered Twitter-user to read an open Twitter account. There is no need to actually know a person, you can simply “follow” their timeline and instantly become one with their thoughts.

As I stated earlier, Twitter is whatever you want it to be. Although Twitter can initially seem as if it is mainly comprised of people that think it edifying to others to tweet about Justin Bieber or arriving at their respective houses, it can be and has been used for greater causes. The recent uprising in Egypt serves as an example. One of the regimes first actions against the protesters was to shut off all access to the Internet. The regime’s fear of the net underlines the fact that social media, when used in a collaborative method, can be far more effective than relying on traditional media methods and sources to get the story. In particular, I believe that Twitter, with it’s 140-character limit, accentuates the beauty in brevity and lessens the chance of a story or emotion getting garbled due to long-windedness.

So, I challenge people, especially us fortunate enough to live in modern, democratic societies, to actually expand upon the rudimentary Twitter query of “What’s happening?” It may be true that you’re sitting at your desk, contemplating what you want for lunch, but how necessary is this for others to know? Couldn’t you make more of this international voice that you know have access to? Let’s try and use social media as a beacon for change rather than a reinforcement of inactivity.

*Chad is media strategist and social media expert at VJ Movement. He graduated with a bachelors degree in American Studies from Georgetown University. To better understand the European opinion of America, he moved to the Netherlands to further study American Studies. He has been living here ever since. His passions include writing, photography and when possible, traveling.  – @CHADinAMSTERDAM

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The outlook along the Mediterranean: cloudy with bursts of sun

Like any self-respecting online journalism outfit, we do our best to stay up to date with developments in our neck of the woods. An important part of that is getting in touch with young journalists and students who are looking for a foothold in journalism.

So when the J-department of the University of Valencia in Spain invited us to speak at their online media conference, it didn’t take much arm-twisting to get us to agree.

As editor for the Spanish speaking world, the arduous task of visiting this beautiful city along the Mediterranean cost fell in my lap. And so off I went.

"Commando" Gonzo Suarez

The conference focused on new media initiatives. Some of them hyper-local, others, like ours, more internationally orientated. One of the more interesting speakers was a pretty militant Gonzo Suarez. He’s the creator of the popular Commandos video games and looks like an elite soldier himself (right). He was pretty pessimistic about the future of online journalism and called on the students to “get off their a*ses.” Not a very constructive message, but one that does ring true. Youth unemployment in Spain is the highest in Europe and journalism is hardly the best place for great job prospects, even in a healthy economy. And so most of these students will be hard pressed to make a living, especially if they remain in Spain.

It wasn’t all doom and gloom, though. A number of the speakers showed the students that there were things to be done, even with limited resources. Basically, if you can’t find a job then create your own. That was the message from speakers such a Joan Enric Tur of the hyperlocal news site L’informatiu.

When it was my turn, I explained how the VJ Movement works and invited the students to pitch their stories and even to apply as VJs if they have the skillset. Below is the video of my talk. I’m the first speaker after the moderators initial introduction. Be prepared, esta en Español.

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Revolutions and Social Media

My name is Corline van Es. Previously I worked for a thinktank called Knowledgeland as an advisor/ project manager on social change and social media. I recently moved to Tel Aviv to explore life in the Middle East, working as a community manager for VJ Movement and as a freelance project manager, researcher and advisor on social innovation.

Over the past few weeks we have seen dramatic popular uprisings in Tunesia, Egypt and now even in Jordan people are showing their dissatisfaction with the ruling regime. The first reaction of a government in distress seems to be: block social media. Twitter, Facebook and Youtube were being blocked in Egypt, and just before the biggest rally most of Cairo was offline, even text messaging didn’t work anymore.

Online media have come to play a huge role in politics. We saw this in Iran, where Twitter played an important role in post-election protests and to a lesser extent in Haiti, where news about the earthquake was mapped through webtools like www.ushahidi.com. Wikileaks caused it’s own revolution in the democratization of news. In all cases, the audience actively takes part in the distribution and/or supply of information, the ones in power try to control it by taking down networks.

Every citizen can choose whether or not to take part in the distribution of events. As someone who lives in Israel, a hub of political and violent conflict, and aware of what’s going on around me, every day I have to make a choice. Should I communicate about these things going on around me? Do I inform the world about life here? What do I tell them? What context do I provide?

Here’s another example from Egypt: Through Facebook, a friend of a friend living there, disconnected from the outside world, sent me a request to follow http://www.facebook.com/?ref=logo#!/RNN.NEWS. A news channel (in arabic) which only exists on Facebook and is used to spread news about the uprising.

It’s typical of the times we are living in: We click the “like” button and spread news. Following someone on Facebook  means more than just showing solidarity or interest, it makes you a news broadcaster in your own network. I guess it’s all about more than one truth…

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‘Drawing the Line’ on the Cartoon Movement – Part II

In late November and early December of last year, London was rocked by a series of protests over plans to raise caps on student tuition from £3,290 to £9,000 – part of austerity measures being implemented in England by the Conservative-Liberal Democrat coalition government. Massive street demonstrations broke out in London, leading to some destruction of property and violent clashes with the police. Led mostly by students, they were the largest protests London had seen in over a decade. The backlash persists, with streets protests happening as recently as last Saturday.

Today we publish the second installment of Drawing The Line: London During the Student Protests by Tom Humberstone and Anne Holiday, who are based in London and attended the protests for Cartoon Movement. The final chapter will run next Wednesday.

From a view inside a civil service office, to a demoralized cop and a teen harangued by police, Humberstone and Holiday offer a glimpse into the various people intersecting amid the chaos.

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VJ Movement App Arrives, Subs and All

Some of you may already have spotted her, somewhere between the Angry Birds, the Fruit Ninjas and somewhere called Jungle Crash Land. I’m referring, of course, to the VJ Movement App for I-Phone, which we recently launched and which is available for free at Apple’s App store.

The App means you can catch all of the videos by our VJs on your “Designed-in-California” smartphone as well as the slightly chunkier I-Pad.

One of the app’s main features is that when users of the site log-in with their regular username, they’ll find that the app knows all their favourite videos. Not only that, this little video tool also allows subtitles, just like the player on our site, which means you can don’t need to speak the lingo to know what’s going on.

In fact the subtitle feature is pretty unique and something both we and the app designer, Martijn Pannevis are secretely proud of. Not even the Youtube app has that feature, and they’re owned by…

You can find the app at the Appstore here.

Meanwhile, Martijn and our developers are hard at work on the next application  – the app for VJM’s sister website, Cartoon Movement. Given the high quality of cartoons that C-Movement has been publishing since it’s launch at the end of last year, I’m sure the app will do well.

Who knows, it may even give the fruity ninjas and enraged wild-fowl a run for their money.

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Journalism and Diversity from a Caribbean Nation

Patricia Iriarte is a freelance video journalist and author based in Barranquilla, Colombia.

Producing video journalism for an outlet like VJM from a country like Colombia presents something of an interesting challenge. Here – with our unique blend of blessings and misfortunes – we frequently think that what happens domestically couldn’t ever happen elsewhere. Whilst this excess of narcissism isn’t exclusively ours, it does prevent us from recognizing other much or more interesting, unusual, fabulous or deplorable things than those we see in our own backyard. It is true that this area has inspired the wildest stories of magical realism, but there is in this realism a universal value which means whichever citizen of the world can also be a citizen of Macondo.

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Two Cartoonists Win at the United Nations Political Cartoon Award

On December 15, the winners of the United Nations Correspondent Association Ranan Lurie Political Cartoon Award were announced. The Cartoon Movement can boast two cartoonists from the network who received prizes. Osmani Simanca from Brazil was awarded Third Prize for his cartoon on terrorism, while Tjeerd Royaards received a Citation for Excellence for his cartoon about Kim Jong-il.

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Cartoon Movement Launches

We’re very pleased to announce that we’ve just launched Cartoon Movement – a dedicated platform for editorial cartooning and comics journalism.  Gracing the front page is a comics journalism exclusive based on Matt Bors’s recent (unescorted) tour of Afghanistan with fellow cartoonist Ted Rall.  Here’s a little preview of what’s to come:

As of today, we’ll be publishing timely, political cartoons four times a week.

The cartoons are ‘pitched’ by our unique and ever expanding network which currently stands at 65 editorial cartoonists in over 50 countries.  The most popular cartoons will be decided by a public vote.  Additionally, we expect to run new comic journalism at least once a month.

Cartoon Movement is already working with a growing number of international clients to provide the following services: ‘on demand’ cartoons, syndication, licensing and education services.

And stay posted – there’s more to come !

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On Cartoon Movement – Guest Post by Matt Bors

Matt Bors is an editorial cartoonist based in Portland, Oregon.  This post was originally published here on his blog.

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Invasion of the Lionfish

Isaac Brown is a freelance multimedia journalist based in Florida, US.  Here, he describes the backstory to the ‘Invasion of the Lionfish’ piece – recently commissioned by VJM.

There comes a time in every production where you have to take chances. Maybe it means getting your expensive HD equipment a little closer to the corrosive effects of saltwater than you feel comfortable with. Maybe it means driving 9 hours to film for a project without having identified your interview subjects.

In the case of producing ‘Invasion of the Lionfish’ for VJ Movement, I was feeling the stress of both of these realities.

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